(Movie Review) The Devil's Candy - Stress Inducing Heavy Metal Horror Rocks

The Devil's Candy (2017) 

Horror

Directed By: Sean Byrne

How many horror films have you seen in the past five years that center around a family moving into a new home only to find it haunted by something sinister? It's a common plot device of the genre and we've seen it played out in dozens of different ways, yet The Devil's Candy offers us an entirely new look at the "haunted house" story. The second feature from writer/director Sean Byrne (The Loved Ones) takes us down a new path of demonic heavy metal horror we haven't traveled before. 

Jesse Hellman (Ethan Embry) is a hardcore metalhead and professional painter struggling to get by and support his family. This leads him to take his wife Astrid (Shiri Appleby) and daughter Zooey (Kiara Glasco) and move into a new home in rural Texas. They get the house for a deal because, full disclosure, two old people recently passed away inside of it. It isn't long after moving in that Jesse starts to hear demonic voices in his head pushing him to do things he cannot understand. That's it, that's all you need to know and anything more would be detrimental to your viewing of this movie. 

This is an atmospheric film, often times finding much of its tension in the fact that we as an audience know something bad is going to happen, but not knowing exactly what. From the moment this family moves into the house, we are aware that things are going to go poorly for them, but it could be in any number of ways. This instantly put me on edge watching this movie and once the story falls into place this feeling is only heightened by what's going on. It's a stress inducing film in the best way and it's sure to have you yelling at the characters for doing something you don't approve of. 

Sean Byrne has delivered a clever script that turns an age-old horror trope on its head and is only topped by his execution of the idea. This is a movie that easily could have failed if it weren't made with total confidence and thankfully Byrne is all in on this story. You buy that this "metal" family would move out to the country for a fresh start and that they would continue to make the poor decisions they do.

The cast is headed by familiar face Ethan Embry (Cheap Thrills) who gives a fantastic performance as Jesse, the father. You latch on to his character early on and because of it are constantly rooting for him to beat the demonic voices throughout. His relationship with the daughter played wonderfully by Kiara Glasco is where the audience will find its big emotional connection as you feel their relationship crumbling as the film goes on. Its great character work and without it this film would fail to have much of an impact at all. 

Though I don't want to say anything about his character specifically, it would be criminal not to mention the performance of Pruitt Taylor Vince. Once you watch the film and see who he is and what he's doing you will understand, he gives a haunting performance that is sure to stick with you. It's definitely stuck with me as this film had me on edge for the entire eighty minutes. I never knew who was safe or what was going to happen and because of it, I was treated to an intense movie watching experience. 

If you were wary of another "haunted house" story that would play out like the dozen you've seen over the past few years, you can breathe a sigh of relief and go into this movie with confidence that you will be shown something fresh. They hook you with an old school story and then win you over with a clever new take on where it should go. The Devil's Candy is stress inducing in the best way, the way that makes the whole movie feel like a ride, and you will be exhausted by the end of it. 

As always, thanks for reading and I am Zach Who Watches Movies. You can find me anytime on twitter @ZachWWMovies, smell ya later!

MOVIE REVIEW: I Am Not a Serial Killer

I Am Not a Serial Killer (2016)

Horror, Thriller, Sci-Fi

Directed By: Billy O'Brien

With horror currently owning the box office, the age old debate has once again been brought to the surface of whether or not horror is still thriving. Spoiler: it is, and it has been for years now- you just have to know where to look. While Don't Breathe is sitting at number one at the box office it feels like a good time to remind fans that great horror can be found at anytime streaming on VOD outlets. For example, you can currently go and stream the new horror thriller I Am Not a Serial Killer while it is still playing in a limited theatrical run. I did so and in turn was treated to a weird, original new story told from a point of view we don't get to experience too often. 

John Wayne Cleaver (Max Records) has been recently diagnosed as a sociopath by his therapist, and despite the titles negative connotations, he has owned his new identity. He knows he has issues and that if the perfect sequence of events were to happen he would probably end up killing someone. He doesn't want to hurt anybody, though, in fact, the idea couldn't be less appealing to John, but he knows the potential is there. He follows a strict set of rules to keep himself from getting to that point but when a serial killer pops up in his remote little town his entire world is turned upside down. It's made even worse when he makes a strange discovery about the person performing these heinous acts and he now feels an obligation to do something about it. 

Seeing this story unfold from the point of view of John, a diagnosed sociopath, is what makes this movie so enjoyable to watch. We are seeing an original take on a classic small town murder mystery, told through eyes we rarely get to view anything from. Watching John handle his condition is fascinating enough to carry its own movie and learning how he has crafted his own set of rules, and how each of those rules keeps his bad habits at bay is a just one of many clever angles this movie operates on. 

Take that premise and use it as a baseline to tell a murder mystery and it gives us a take with are unfamiliar with. John's vast knowledge of serial killers and how they work allow him to catch onto the trail of his town's new infamous celebrity fairly easily and what he finds is totally unexpected. You may think you have the movie figured out in the first act but when the twists start coming and the film takes a slight sci-fi turn the outcome of the movie becomes rather unpredictable. 

Despite its cool and original premise, I Am Not a Serial Killer is not without its flaws. Watching John navigate his mental state is fascinating at times and pretty much everything dealing with the killer itself is totally engaging, but the filler in between can be quite clunky. There were a handful of moments where I began to lose interest in what was happening in the scene, or what I was watching didn't play directly into the story and slightly lost my interest. They do their best to create the strange relationship between John and his mother, who is aware of his diagnosis, but it often times comes off as a passing thought. 

The film succeeds with a clever premise and great performances from its leads. Max Records owns his role as the sociopathic John Wayne Cleaver, his unsettling demeanor and way of carrying himself creates the eerie atmosphere that most of the story operates on. The real treat though is Christopher Lloyd, who plays John's creepy old neighbor Crowley. Lloyd turns in one of the best performances we have seen from him ages and it adds a gravitas you wouldn't expect from a flick like this.

This is exactly the type of movie that totally justifies the changing landscape of releasing horror films. Though this is a clever new horror thriller it isn't a movie you necessarily need to see on a big screen. Yes, every movie is enhanced by being seen in a theater but this is also the perfect kind of horror movie to just pop on a Sunday afternoon and be surprised by. It offers us a new point of view in which to view a horror story from, and for that alone, it is worth the price of a rental. 

As always, thanks for reading and I am Zach Who Watches Movies. You can find me anytime on twitter @ZachWWMovies, smell ya later!

MOVIE REVIEW: The Mind's Eye

The Mind's Eye (2016)

Horror, Sci-Fi

Directed By: Joe Begos

If you are the horror fan who believes the genre is dead or dying because you've only seen the latest studio flick doing its best to mimic the latest trend then I suggest diving into the world of indie horror. Rather than mimic what's popular many of these filmmakers are taking influence from the masters of the genre and finding ways to create their own unique stories. Take, for example, the latest film from writer/director Joe Begos The Mind's Eye which plays as a giant love letter to the Scanners franchise and other films and filmmakers of its time. This could have easily been a cheap knock-off of movies people love but Begos took the influence and injected it right into the heart of a story that stands entirely on its own.

The film focuses on two people with extraordinary abilities, Zack Connors (Graham Skipper) and Rachel Meadows (Lauren Ashley Carter). Unbeknownst to most of the world, these two belong to a small portion of the population with telekinetic capabilities. When a sadistic doctor by the name of Michael Slovak (John Speredakos) finds out about their special talents he abducts them in hopes of harvesting their abilities for himself. The two manage to escape his facilities and now the crazed doctor will do whatever it takes to get them back. What he doesn't know is that the powers he has been suppressing in them are slowly coming back, and a man with a gun may not be able to do much when the person they are pointing it at can control their brain.

We are hardly seeing an acting clinic on display here but we still gets solid performances from both of the leads Graham Skipper and Lauren Ashley Carter. Doctor Slovak however, played by John Speredakos, literally descends into madness by the end of the film and the performance by Speredakos is so much damn fun. Watching him and Skipper go back in forth in the finale is real treat. I also have to mention horror community favorite Larry Fessenden also has a small role in the movie and we all know anytime he pops up it usually means you're watching a pretty good flick.

When it comes to sci-fi horror one of the keys to success is making sure the sci-fi aspect of the film isn't buried. Nothing is more disappointing than going into a film with promise of something like aliens or telekinesis and have them be an afterthought. Begos gets this, his low budgets haven't stopped him from interjecting tons of interesting science fiction elements into his horror movies. He also doesn't beat you over the head with exposition to make sure the audience is picking up on it either, he stages these moments in a way where we are able to pick up and understand exactly what's going on. We easily understand these characters powers and the extents to which they can use them without having to be told directly why. 

This isn't to say the film shies away from being a full on horror movie, telekinesis can be used in some pretty terrifying ways and we see more than a few of them on display throughout. Unlike Scanners though, a film this one is drawing huge influence from, they aren't just exploding heads all willy nilly the entire time, it's not so easy for this world's telekinetics. The Mind's Eye builds off of what that movie introduced and rather than try to imitate it turns it into something new. Instead of just exploding brains (which I'm not saying isn't in the movie) they can use their powers in a multitude of different ways, like wielding weapons or tossing bodies across a room in a ultra-violent fashion. If you are the fan that goes for unique kills and buckets of blood this movie is entirely for you. 

The story draws influence from all over the board, not just horror. the opening scene of film is it's own version of The First Blood intro. A drifter wanders down an empty road only to be stopped by police and thrown into the hellish situation that is to follow. You can tell Begos just wanted to make a movie with the feel of all of his favorites from the late seventies and eighties while shaping it into his own vision with some modern tendencies. He's not trying to pull on nostalgia as much as create a familiar atmosphere in which he can show us something new, and he succeeds at doing so. 

At the beginning of the movie a title card pops up that prompts the viewer to "watch this movie as loud as possible" and though they may seem like a cheap gimmick to some it's actually a perfect piece of advice. The sound design and score are incredible and it is only enhanced when you crank the volume to eleven. The film boasts a wonderful, old school synth dominant score that plays a key role in creating that familiar atmosphere for the viewer. Add that to the impressive and creepy sound design surrounding the telekinetics and violence, and you have a truly unique experience.

The Mind's Eye isn't the type of film that plays gangbusters to any type of crowd, but for the right audience (which I am a part of) this movie plays as a totally insane rollercoaster ride through hell that we never want to get off of. Begos is making the kinds of films we love and cherish as "cult classics" from the past, only in modern times. I have a good feeling with time each of his films will have a growing audience of dedicated fans. This is easily one of my favorite horror films of the year and I cannot wait to see what he has in store for us horror geeks next. 

As always, thanks for reading and I am Zach Who Watches Movies. You can find me anytime on twitter @ZachWWMovies, smell ya later!